What would this chord progression be called? Announcing the arrival of Valued Associate #679: Cesar Manara Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)Must a tritone substitution use a dominant functioning seventh chord?What is this called? Why is it allowed?How would you interpret this chord progression?What is this type of shift called?What key is this chord progression?Is this chord progression rare?What chord would this most logically be thought as?How is this type of chord progression notation called?What is this chord progression called?What's this chord progression (called)?How would one interpret this simple chord progression? and what scales to use for improvisation?

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What would this chord progression be called?



Announcing the arrival of Valued Associate #679: Cesar Manara
Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)Must a tritone substitution use a dominant functioning seventh chord?What is this called? Why is it allowed?How would you interpret this chord progression?What is this type of shift called?What key is this chord progression?Is this chord progression rare?What chord would this most logically be thought as?How is this type of chord progression notation called?What is this chord progression called?What's this chord progression (called)?How would one interpret this simple chord progression? and what scales to use for improvisation?










5















There's a section of the melody of Kyari Pamyu Pamyu's song ふりそで〜しょん, specifically the part preceding the chorus, where the composition shifts from a relatively straightforward A mixolydian melody to a rather exotic line which travels over the the following chords, 2 measures:



Dmaj -> C♯ min -> C maj -> B min -> Bb maj -> etc



The pattern is quite clear once you identify it (although the song uses a variety of voicings to disguise it) -- moving by half-steps and alternating between major and minor.



I was wondering, with such a simple pattern and it producing quite an interesting sound, does this technique have a name? Are there other usages of it, particularly in pop music?










share|improve this question









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  • (if the tonal center is A, then that chord's root should be C♯).

    – user45266
    2 days ago















5















There's a section of the melody of Kyari Pamyu Pamyu's song ふりそで〜しょん, specifically the part preceding the chorus, where the composition shifts from a relatively straightforward A mixolydian melody to a rather exotic line which travels over the the following chords, 2 measures:



Dmaj -> C♯ min -> C maj -> B min -> Bb maj -> etc



The pattern is quite clear once you identify it (although the song uses a variety of voicings to disguise it) -- moving by half-steps and alternating between major and minor.



I was wondering, with such a simple pattern and it producing quite an interesting sound, does this technique have a name? Are there other usages of it, particularly in pop music?










share|improve this question









New contributor




limp_chimp is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.




















  • (if the tonal center is A, then that chord's root should be C♯).

    – user45266
    2 days ago













5












5








5


1






There's a section of the melody of Kyari Pamyu Pamyu's song ふりそで〜しょん, specifically the part preceding the chorus, where the composition shifts from a relatively straightforward A mixolydian melody to a rather exotic line which travels over the the following chords, 2 measures:



Dmaj -> C♯ min -> C maj -> B min -> Bb maj -> etc



The pattern is quite clear once you identify it (although the song uses a variety of voicings to disguise it) -- moving by half-steps and alternating between major and minor.



I was wondering, with such a simple pattern and it producing quite an interesting sound, does this technique have a name? Are there other usages of it, particularly in pop music?










share|improve this question









New contributor




limp_chimp is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.












There's a section of the melody of Kyari Pamyu Pamyu's song ふりそで〜しょん, specifically the part preceding the chorus, where the composition shifts from a relatively straightforward A mixolydian melody to a rather exotic line which travels over the the following chords, 2 measures:



Dmaj -> C♯ min -> C maj -> B min -> Bb maj -> etc



The pattern is quite clear once you identify it (although the song uses a variety of voicings to disguise it) -- moving by half-steps and alternating between major and minor.



I was wondering, with such a simple pattern and it producing quite an interesting sound, does this technique have a name? Are there other usages of it, particularly in pop music?







theory chord-progressions terminology






share|improve this question









New contributor




limp_chimp is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.











share|improve this question









New contributor




limp_chimp is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.









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share|improve this question








edited 2 days ago









user45266

4,1721835




4,1721835






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asked 2 days ago









limp_chimplimp_chimp

1263




1263




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New contributor





limp_chimp is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.






limp_chimp is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.












  • (if the tonal center is A, then that chord's root should be C♯).

    – user45266
    2 days ago

















  • (if the tonal center is A, then that chord's root should be C♯).

    – user45266
    2 days ago
















(if the tonal center is A, then that chord's root should be C♯).

– user45266
2 days ago





(if the tonal center is A, then that chord's root should be C♯).

– user45266
2 days ago










1 Answer
1






active

oldest

votes


















4














In a branch of music theory called "transformation theory," we call this a SLIDE progression.



A SLIDE takes place between two chords when the outer perfect fifth moves up or down by half step while the chordal third stays the same. In your example, the SLIDE progressions begin on the second chord:




G♯–G♮ F♯–F♮
E==== D====
C♯–C♮ B––B♭


Notice how the top and bottom pitches both move down by half step. Meanwhile, the middle voice stays the same, keeping that common tone and forcing the switch from a minor triad to a major triad.



As one further example, consider "It's My Life" by Talk Talk. A SLIDE occurs at 0:49 when F minor moves to E major; the A♭ of the first chord is enharmonically reinterpreted to become the G♯ of the second.






share|improve this answer




















  • 1





    Couldn’t it be too a chord chain of (ii-V) with tritonus substitution of the secondary dominants?

    – Albrecht Hügli
    yesterday






  • 1





    @AlbrechtHügli Perhaps! I just didn't consider it since the chords were all triads. (See Must a tritone substitution use a dominant functioning seventh chord?)

    – Richard
    yesterday











  • @AlbrechtHügli Good spot! It could be that, but I don't think it's as likely, given the example song.

    – user45266
    yesterday











  • youtube.com/watch?v=8dG44XGQDLA

    – Albrecht Hügli
    yesterday











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1 Answer
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1 Answer
1






active

oldest

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active

oldest

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active

oldest

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4














In a branch of music theory called "transformation theory," we call this a SLIDE progression.



A SLIDE takes place between two chords when the outer perfect fifth moves up or down by half step while the chordal third stays the same. In your example, the SLIDE progressions begin on the second chord:




G♯–G♮ F♯–F♮
E==== D====
C♯–C♮ B––B♭


Notice how the top and bottom pitches both move down by half step. Meanwhile, the middle voice stays the same, keeping that common tone and forcing the switch from a minor triad to a major triad.



As one further example, consider "It's My Life" by Talk Talk. A SLIDE occurs at 0:49 when F minor moves to E major; the A♭ of the first chord is enharmonically reinterpreted to become the G♯ of the second.






share|improve this answer




















  • 1





    Couldn’t it be too a chord chain of (ii-V) with tritonus substitution of the secondary dominants?

    – Albrecht Hügli
    yesterday






  • 1





    @AlbrechtHügli Perhaps! I just didn't consider it since the chords were all triads. (See Must a tritone substitution use a dominant functioning seventh chord?)

    – Richard
    yesterday











  • @AlbrechtHügli Good spot! It could be that, but I don't think it's as likely, given the example song.

    – user45266
    yesterday











  • youtube.com/watch?v=8dG44XGQDLA

    – Albrecht Hügli
    yesterday















4














In a branch of music theory called "transformation theory," we call this a SLIDE progression.



A SLIDE takes place between two chords when the outer perfect fifth moves up or down by half step while the chordal third stays the same. In your example, the SLIDE progressions begin on the second chord:




G♯–G♮ F♯–F♮
E==== D====
C♯–C♮ B––B♭


Notice how the top and bottom pitches both move down by half step. Meanwhile, the middle voice stays the same, keeping that common tone and forcing the switch from a minor triad to a major triad.



As one further example, consider "It's My Life" by Talk Talk. A SLIDE occurs at 0:49 when F minor moves to E major; the A♭ of the first chord is enharmonically reinterpreted to become the G♯ of the second.






share|improve this answer




















  • 1





    Couldn’t it be too a chord chain of (ii-V) with tritonus substitution of the secondary dominants?

    – Albrecht Hügli
    yesterday






  • 1





    @AlbrechtHügli Perhaps! I just didn't consider it since the chords were all triads. (See Must a tritone substitution use a dominant functioning seventh chord?)

    – Richard
    yesterday











  • @AlbrechtHügli Good spot! It could be that, but I don't think it's as likely, given the example song.

    – user45266
    yesterday











  • youtube.com/watch?v=8dG44XGQDLA

    – Albrecht Hügli
    yesterday













4












4








4







In a branch of music theory called "transformation theory," we call this a SLIDE progression.



A SLIDE takes place between two chords when the outer perfect fifth moves up or down by half step while the chordal third stays the same. In your example, the SLIDE progressions begin on the second chord:




G♯–G♮ F♯–F♮
E==== D====
C♯–C♮ B––B♭


Notice how the top and bottom pitches both move down by half step. Meanwhile, the middle voice stays the same, keeping that common tone and forcing the switch from a minor triad to a major triad.



As one further example, consider "It's My Life" by Talk Talk. A SLIDE occurs at 0:49 when F minor moves to E major; the A♭ of the first chord is enharmonically reinterpreted to become the G♯ of the second.






share|improve this answer















In a branch of music theory called "transformation theory," we call this a SLIDE progression.



A SLIDE takes place between two chords when the outer perfect fifth moves up or down by half step while the chordal third stays the same. In your example, the SLIDE progressions begin on the second chord:




G♯–G♮ F♯–F♮
E==== D====
C♯–C♮ B––B♭


Notice how the top and bottom pitches both move down by half step. Meanwhile, the middle voice stays the same, keeping that common tone and forcing the switch from a minor triad to a major triad.



As one further example, consider "It's My Life" by Talk Talk. A SLIDE occurs at 0:49 when F minor moves to E major; the A♭ of the first chord is enharmonically reinterpreted to become the G♯ of the second.







share|improve this answer














share|improve this answer



share|improve this answer








edited yesterday

























answered 2 days ago









RichardRichard

45.8k7109196




45.8k7109196







  • 1





    Couldn’t it be too a chord chain of (ii-V) with tritonus substitution of the secondary dominants?

    – Albrecht Hügli
    yesterday






  • 1





    @AlbrechtHügli Perhaps! I just didn't consider it since the chords were all triads. (See Must a tritone substitution use a dominant functioning seventh chord?)

    – Richard
    yesterday











  • @AlbrechtHügli Good spot! It could be that, but I don't think it's as likely, given the example song.

    – user45266
    yesterday











  • youtube.com/watch?v=8dG44XGQDLA

    – Albrecht Hügli
    yesterday












  • 1





    Couldn’t it be too a chord chain of (ii-V) with tritonus substitution of the secondary dominants?

    – Albrecht Hügli
    yesterday






  • 1





    @AlbrechtHügli Perhaps! I just didn't consider it since the chords were all triads. (See Must a tritone substitution use a dominant functioning seventh chord?)

    – Richard
    yesterday











  • @AlbrechtHügli Good spot! It could be that, but I don't think it's as likely, given the example song.

    – user45266
    yesterday











  • youtube.com/watch?v=8dG44XGQDLA

    – Albrecht Hügli
    yesterday







1




1





Couldn’t it be too a chord chain of (ii-V) with tritonus substitution of the secondary dominants?

– Albrecht Hügli
yesterday





Couldn’t it be too a chord chain of (ii-V) with tritonus substitution of the secondary dominants?

– Albrecht Hügli
yesterday




1




1





@AlbrechtHügli Perhaps! I just didn't consider it since the chords were all triads. (See Must a tritone substitution use a dominant functioning seventh chord?)

– Richard
yesterday





@AlbrechtHügli Perhaps! I just didn't consider it since the chords were all triads. (See Must a tritone substitution use a dominant functioning seventh chord?)

– Richard
yesterday













@AlbrechtHügli Good spot! It could be that, but I don't think it's as likely, given the example song.

– user45266
yesterday





@AlbrechtHügli Good spot! It could be that, but I don't think it's as likely, given the example song.

– user45266
yesterday













youtube.com/watch?v=8dG44XGQDLA

– Albrecht Hügli
yesterday





youtube.com/watch?v=8dG44XGQDLA

– Albrecht Hügli
yesterday










limp_chimp is a new contributor. Be nice, and check out our Code of Conduct.









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