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Non-Chromatic Orchestral Instruments?
How to determine the key and write melodies for a chromatic chord progression?What exactly is a scale, what are they for, and how does practising them make me a better guitarist?Why is it called the chromatic scale?What are the uses of chromaticism?How do I manage internalizing foundation for chords, scales, hamonies and voicingPerforming music from long agoMusical that requires changing the keyboard MIDI sounds quicklyIs there a simplified version of music theory / notation for Western music?Are you still playing a scale if you don't include every note in said scale?How to remember and see each major scale degrees when playing a scale not in order?
.everyoneloves__top-leaderboard:empty,.everyoneloves__mid-leaderboard:empty,.everyoneloves__bot-mid-leaderboard:empty margin-bottom:0;
I would like to know which instruments of a modern orchestra are not able to play a full chromatic run?
I know that the harp for example is in a certain key and you have to use the pedals to change the key you're in. So a fast run wouldn't be possible, because you can't change the pedals that quickly.
The modern Timpani is as far as I know also already able to play a chromatic scale, but how fast can you actually change the pitch with the pedal?
Are there any other instruments which requires certain actions to play outside of a specific scale, or are there even instruments which aren't able to play a chromatic scale?
scales orchestra chromatic
|
show 4 more comments
I would like to know which instruments of a modern orchestra are not able to play a full chromatic run?
I know that the harp for example is in a certain key and you have to use the pedals to change the key you're in. So a fast run wouldn't be possible, because you can't change the pedals that quickly.
The modern Timpani is as far as I know also already able to play a chromatic scale, but how fast can you actually change the pitch with the pedal?
Are there any other instruments which requires certain actions to play outside of a specific scale, or are there even instruments which aren't able to play a chromatic scale?
scales orchestra chromatic
What kind of orchestra are we talking about? Does a big band constitute an orchestra? Some percussive instruments won't be able to play a full chromatic scale, like kettle drums, as you have already noted.
– Pyromonk
Jul 7 at 13:15
3
All the untuned percussion?
– Tim
Jul 7 at 13:40
@Pyromonk I have more like a film scoring orchestra setting in mind.
– Andy
Jul 7 at 14:18
@Tim Yea... Of course I meant from all the pitched instruments only.
– Andy
Jul 7 at 14:18
3
@Andy, wow, that expands the list of instruments exponentially as we speak. I cannot think of an instrument that hasn't been used in film scores, including customised ones. It makes your question really difficult to answer.
– Pyromonk
Jul 7 at 14:32
|
show 4 more comments
I would like to know which instruments of a modern orchestra are not able to play a full chromatic run?
I know that the harp for example is in a certain key and you have to use the pedals to change the key you're in. So a fast run wouldn't be possible, because you can't change the pedals that quickly.
The modern Timpani is as far as I know also already able to play a chromatic scale, but how fast can you actually change the pitch with the pedal?
Are there any other instruments which requires certain actions to play outside of a specific scale, or are there even instruments which aren't able to play a chromatic scale?
scales orchestra chromatic
I would like to know which instruments of a modern orchestra are not able to play a full chromatic run?
I know that the harp for example is in a certain key and you have to use the pedals to change the key you're in. So a fast run wouldn't be possible, because you can't change the pedals that quickly.
The modern Timpani is as far as I know also already able to play a chromatic scale, but how fast can you actually change the pitch with the pedal?
Are there any other instruments which requires certain actions to play outside of a specific scale, or are there even instruments which aren't able to play a chromatic scale?
scales orchestra chromatic
scales orchestra chromatic
asked Jul 7 at 12:18
AndyAndy
2,1952 silver badges32 bronze badges
2,1952 silver badges32 bronze badges
What kind of orchestra are we talking about? Does a big band constitute an orchestra? Some percussive instruments won't be able to play a full chromatic scale, like kettle drums, as you have already noted.
– Pyromonk
Jul 7 at 13:15
3
All the untuned percussion?
– Tim
Jul 7 at 13:40
@Pyromonk I have more like a film scoring orchestra setting in mind.
– Andy
Jul 7 at 14:18
@Tim Yea... Of course I meant from all the pitched instruments only.
– Andy
Jul 7 at 14:18
3
@Andy, wow, that expands the list of instruments exponentially as we speak. I cannot think of an instrument that hasn't been used in film scores, including customised ones. It makes your question really difficult to answer.
– Pyromonk
Jul 7 at 14:32
|
show 4 more comments
What kind of orchestra are we talking about? Does a big band constitute an orchestra? Some percussive instruments won't be able to play a full chromatic scale, like kettle drums, as you have already noted.
– Pyromonk
Jul 7 at 13:15
3
All the untuned percussion?
– Tim
Jul 7 at 13:40
@Pyromonk I have more like a film scoring orchestra setting in mind.
– Andy
Jul 7 at 14:18
@Tim Yea... Of course I meant from all the pitched instruments only.
– Andy
Jul 7 at 14:18
3
@Andy, wow, that expands the list of instruments exponentially as we speak. I cannot think of an instrument that hasn't been used in film scores, including customised ones. It makes your question really difficult to answer.
– Pyromonk
Jul 7 at 14:32
What kind of orchestra are we talking about? Does a big band constitute an orchestra? Some percussive instruments won't be able to play a full chromatic scale, like kettle drums, as you have already noted.
– Pyromonk
Jul 7 at 13:15
What kind of orchestra are we talking about? Does a big band constitute an orchestra? Some percussive instruments won't be able to play a full chromatic scale, like kettle drums, as you have already noted.
– Pyromonk
Jul 7 at 13:15
3
3
All the untuned percussion?
– Tim
Jul 7 at 13:40
All the untuned percussion?
– Tim
Jul 7 at 13:40
@Pyromonk I have more like a film scoring orchestra setting in mind.
– Andy
Jul 7 at 14:18
@Pyromonk I have more like a film scoring orchestra setting in mind.
– Andy
Jul 7 at 14:18
@Tim Yea... Of course I meant from all the pitched instruments only.
– Andy
Jul 7 at 14:18
@Tim Yea... Of course I meant from all the pitched instruments only.
– Andy
Jul 7 at 14:18
3
3
@Andy, wow, that expands the list of instruments exponentially as we speak. I cannot think of an instrument that hasn't been used in film scores, including customised ones. It makes your question really difficult to answer.
– Pyromonk
Jul 7 at 14:32
@Andy, wow, that expands the list of instruments exponentially as we speak. I cannot think of an instrument that hasn't been used in film scores, including customised ones. It makes your question really difficult to answer.
– Pyromonk
Jul 7 at 14:32
|
show 4 more comments
3 Answers
3
active
oldest
votes
In a modern western orchestra, that's about it. Unless you're foolish enough to try to write precise pitches for flexatone or slide whistle, and then try to write a chromatic scale.
Playing a chromatic scale on timpani is definitely dubious. Besides the speed and accuracy needed, you would be re-tuning the same drum as you played it, which would cause a slide between every note. Basically it would turn into a glissando, which is a real thing for timpani, but it's an effect, not a scale. I would expect a competent timpanist to have no problem playing a slow chromatic scale, say one note per second. It would be weird and probably something they've never done, but ultimately not unreasonable. Twice that fast would be impractical, and I'm not sure where the transition is.
I don't know what kind of music you're trying to write, but all woodwinds and brass have particular spots where playing chromatically is difficult. Modern woodwinds have enough keywork that all half step and whole step trills are playable, but some are more awkward than others. Brass instruments have some impossible trills.
What about saxophones? Modern professional instruments are more than capable of half-step and whole-step trills (there are even additional F# keys for those who are lazy/incompetent). Unless you mean high register or altissimo, of course. There are plenty of resources out there for alternative fingerings as well. I've personally had no trouble with any trills on tenor or alto.
– Pyromonk
Jul 7 at 14:59
1
Right, like I said they're all possible. But some are pretty awkward. Aside from the low ones (Bb-B, B-C#, C#-D#), I think that D#-E and G#-A are bad. You either have to trill two fingers, or leave the pinky down and trill the ring finger. Not impossible by any means, but if you wanted to write a really fast trill those would be bad spots.
– MattPutnam
Jul 7 at 18:16
2
Trombones will also struggle with fast chromatic runs and trills...
– Max
Jul 8 at 1:14
@MattPutnam, you are absolutely right. I could not find any good alternative fingerings for D#->E and G#->A (and they are also problematic, because G, G#, D and D# are often stuffy/squeaky). The low end switches you list are probably some of the most painful indeed. Even professional musicians with decades of experience struggle with those. Thank you for clarifying your answer.
– Pyromonk
Jul 8 at 1:56
@Pyromonk Feel free to edit any information into the Community Wiki answer.
– Your Uncle Bob
Jul 8 at 2:18
|
show 6 more comments
Instruments capable of chromatic runs over their whole range at high speed[1]:
Keyboard:- Piano
- Harpsichord
- Organ
- Accordion
- Ondes Martenot (also full-range glissando)
- Synthesizer
- Celesta
Strings:- Violin
- Viola
- Cello
- Double Bass
- Guitar
- Mandolin
- Banjo
- Hurdy-Gurdy
Brass:- Horn (modern valved)
- Trumpet
- Trombone
- Tuba
Woodwinds:- Flute
- Oboe
- Clarinet
- Bassoon
- Saxophone
Percussion:- Vibraphone
- Marimba
- Glockenspiel
- Tubular Bells
- Crotales
- Steel Pan
Others:- Chromatic Harmonica
- Theremin (also full-range glissando)
Instruments with limited capability for chromatic runs[2]:
Keyboard:- ?
Strings:- Harp (retunable to different keys using pedals)
Brass:
Woodwinds:
- Recorder
Percussion:- Timpani (retunable using pedals, would be slow and cause glissando)
- Crystal wine glasses (in quantity, slowly)
- Handbells (in quantity)
- Rototoms (in quantity)
- Tuned gongs (in quantity)
- Whirlies (in quantity, slowly)
Instruments not capable of chromatic runs:
Keyboard:- ?
Strings:- ?
Brass:- ?
Woodwinds:- Bagpipes (not chromatic)
- Tin Whistle, Low Whistle, Diatonic Flute (not chromatic)
Percussion:- Bell Tree, Chime Tree (pitched, but untuned)
- Flexatone (unreasonable to tune)
1 Playing several notes per second and not having to do anything (like retune) that you would normally only do while you're not playing and that would slow you down or force you to leave a pause between some notes.
2 Capable of playing a chromatic run only at slow speed, with pauses, or in part of its range.
(Please feel free to edit this answer to add instruments or details.)
1
How fast does a run have to be to qualify as 'limited' or high-speed'?
– PiedPiper
Jul 8 at 8:17
2
Is this supposed to be limited to instruments normally used in a orchestra? Otherwise it's going to be a very long list. Bagpipes/tin whistles are not orchestral instruments (even if there might be a piece somewhere that does uses them)
– PiedPiper
Jul 8 at 8:28
@PiedPiper I guess it's up to Andy, but he talks of film scoring, so it's not limited to standard orchestral.
– Your Uncle Bob
Jul 8 at 10:32
Fast chromatic run on a theremin? Ok, sure it's physically possible, but it would be ridiculously difficult to do with actual individual, correctly intonated pitches. I would put that in the same category as timpani (though it's probably easier to get it fast, but only in the way it's easier to play fast on violin than on double bass). OTOH, I wouldn't be surprised to hear a fast chromatic run from a tin whistle – good players can half-hole tones quite accurately.
– leftaroundabout
Jul 8 at 10:38
2
Ok, looks like it's totally possible to play a "fast" full chromatic scale on the saxophone, from the low end up into altissimo. My teacher demonstrated it today. It is extremely difficult and requires a lot of practising, but it's possible nevertheless.
– Pyromonk
Jul 11 at 7:15
|
show 9 more comments
There are some compositions that require the Orchestra to use Natural Horns or early versions of the instrument. I suspect that most modern orchestras will have the modern horn players fill the parts, but you wouldn't be able to do a chromatic run on the original instruments. For example the bugle and or the hunting horn are sometimes used, and I believe Bach wrote parts for the Shepard's Horn in one piece.
To be exact, you'd have to be several octaves above fundamental before all 12 tones are available.
– Carl Witthoft
Jul 8 at 15:21
Valved brass instruments did not exist in Bach's day, so all of his trumpet and horn parts were written for instruments that had limited ability to play chromatic notes.
– phoog
Jul 9 at 15:50
The solution with natural horns is to use several in different tunings. The players would alternate playing the tones. It would probably take three or more players to do a full chromatic scale. Each instrument in isolation could not do it, but the section would.
– ghellquist
Jul 9 at 16:46
@ghellquist while this may have been done in some cases, it was not a common technique throughout the history of the orchestral horn, and it would not have been common for there to be more than two different sizes of horn in use in any passage of an orchestral work. Anyway, by the time chromaticism was really serious, horns had valves and a single instrument could play chromatic passages.
– phoog
Jul 9 at 17:51
@phoog not much to add. I guess it has never been done, and I expect it will never be in the future, but in theory it could.
– ghellquist
yesterday
|
show 3 more comments
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3 Answers
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3 Answers
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active
oldest
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votes
In a modern western orchestra, that's about it. Unless you're foolish enough to try to write precise pitches for flexatone or slide whistle, and then try to write a chromatic scale.
Playing a chromatic scale on timpani is definitely dubious. Besides the speed and accuracy needed, you would be re-tuning the same drum as you played it, which would cause a slide between every note. Basically it would turn into a glissando, which is a real thing for timpani, but it's an effect, not a scale. I would expect a competent timpanist to have no problem playing a slow chromatic scale, say one note per second. It would be weird and probably something they've never done, but ultimately not unreasonable. Twice that fast would be impractical, and I'm not sure where the transition is.
I don't know what kind of music you're trying to write, but all woodwinds and brass have particular spots where playing chromatically is difficult. Modern woodwinds have enough keywork that all half step and whole step trills are playable, but some are more awkward than others. Brass instruments have some impossible trills.
What about saxophones? Modern professional instruments are more than capable of half-step and whole-step trills (there are even additional F# keys for those who are lazy/incompetent). Unless you mean high register or altissimo, of course. There are plenty of resources out there for alternative fingerings as well. I've personally had no trouble with any trills on tenor or alto.
– Pyromonk
Jul 7 at 14:59
1
Right, like I said they're all possible. But some are pretty awkward. Aside from the low ones (Bb-B, B-C#, C#-D#), I think that D#-E and G#-A are bad. You either have to trill two fingers, or leave the pinky down and trill the ring finger. Not impossible by any means, but if you wanted to write a really fast trill those would be bad spots.
– MattPutnam
Jul 7 at 18:16
2
Trombones will also struggle with fast chromatic runs and trills...
– Max
Jul 8 at 1:14
@MattPutnam, you are absolutely right. I could not find any good alternative fingerings for D#->E and G#->A (and they are also problematic, because G, G#, D and D# are often stuffy/squeaky). The low end switches you list are probably some of the most painful indeed. Even professional musicians with decades of experience struggle with those. Thank you for clarifying your answer.
– Pyromonk
Jul 8 at 1:56
@Pyromonk Feel free to edit any information into the Community Wiki answer.
– Your Uncle Bob
Jul 8 at 2:18
|
show 6 more comments
In a modern western orchestra, that's about it. Unless you're foolish enough to try to write precise pitches for flexatone or slide whistle, and then try to write a chromatic scale.
Playing a chromatic scale on timpani is definitely dubious. Besides the speed and accuracy needed, you would be re-tuning the same drum as you played it, which would cause a slide between every note. Basically it would turn into a glissando, which is a real thing for timpani, but it's an effect, not a scale. I would expect a competent timpanist to have no problem playing a slow chromatic scale, say one note per second. It would be weird and probably something they've never done, but ultimately not unreasonable. Twice that fast would be impractical, and I'm not sure where the transition is.
I don't know what kind of music you're trying to write, but all woodwinds and brass have particular spots where playing chromatically is difficult. Modern woodwinds have enough keywork that all half step and whole step trills are playable, but some are more awkward than others. Brass instruments have some impossible trills.
What about saxophones? Modern professional instruments are more than capable of half-step and whole-step trills (there are even additional F# keys for those who are lazy/incompetent). Unless you mean high register or altissimo, of course. There are plenty of resources out there for alternative fingerings as well. I've personally had no trouble with any trills on tenor or alto.
– Pyromonk
Jul 7 at 14:59
1
Right, like I said they're all possible. But some are pretty awkward. Aside from the low ones (Bb-B, B-C#, C#-D#), I think that D#-E and G#-A are bad. You either have to trill two fingers, or leave the pinky down and trill the ring finger. Not impossible by any means, but if you wanted to write a really fast trill those would be bad spots.
– MattPutnam
Jul 7 at 18:16
2
Trombones will also struggle with fast chromatic runs and trills...
– Max
Jul 8 at 1:14
@MattPutnam, you are absolutely right. I could not find any good alternative fingerings for D#->E and G#->A (and they are also problematic, because G, G#, D and D# are often stuffy/squeaky). The low end switches you list are probably some of the most painful indeed. Even professional musicians with decades of experience struggle with those. Thank you for clarifying your answer.
– Pyromonk
Jul 8 at 1:56
@Pyromonk Feel free to edit any information into the Community Wiki answer.
– Your Uncle Bob
Jul 8 at 2:18
|
show 6 more comments
In a modern western orchestra, that's about it. Unless you're foolish enough to try to write precise pitches for flexatone or slide whistle, and then try to write a chromatic scale.
Playing a chromatic scale on timpani is definitely dubious. Besides the speed and accuracy needed, you would be re-tuning the same drum as you played it, which would cause a slide between every note. Basically it would turn into a glissando, which is a real thing for timpani, but it's an effect, not a scale. I would expect a competent timpanist to have no problem playing a slow chromatic scale, say one note per second. It would be weird and probably something they've never done, but ultimately not unreasonable. Twice that fast would be impractical, and I'm not sure where the transition is.
I don't know what kind of music you're trying to write, but all woodwinds and brass have particular spots where playing chromatically is difficult. Modern woodwinds have enough keywork that all half step and whole step trills are playable, but some are more awkward than others. Brass instruments have some impossible trills.
In a modern western orchestra, that's about it. Unless you're foolish enough to try to write precise pitches for flexatone or slide whistle, and then try to write a chromatic scale.
Playing a chromatic scale on timpani is definitely dubious. Besides the speed and accuracy needed, you would be re-tuning the same drum as you played it, which would cause a slide between every note. Basically it would turn into a glissando, which is a real thing for timpani, but it's an effect, not a scale. I would expect a competent timpanist to have no problem playing a slow chromatic scale, say one note per second. It would be weird and probably something they've never done, but ultimately not unreasonable. Twice that fast would be impractical, and I'm not sure where the transition is.
I don't know what kind of music you're trying to write, but all woodwinds and brass have particular spots where playing chromatically is difficult. Modern woodwinds have enough keywork that all half step and whole step trills are playable, but some are more awkward than others. Brass instruments have some impossible trills.
answered Jul 7 at 14:24
MattPutnamMattPutnam
15.6k2 gold badges35 silver badges59 bronze badges
15.6k2 gold badges35 silver badges59 bronze badges
What about saxophones? Modern professional instruments are more than capable of half-step and whole-step trills (there are even additional F# keys for those who are lazy/incompetent). Unless you mean high register or altissimo, of course. There are plenty of resources out there for alternative fingerings as well. I've personally had no trouble with any trills on tenor or alto.
– Pyromonk
Jul 7 at 14:59
1
Right, like I said they're all possible. But some are pretty awkward. Aside from the low ones (Bb-B, B-C#, C#-D#), I think that D#-E and G#-A are bad. You either have to trill two fingers, or leave the pinky down and trill the ring finger. Not impossible by any means, but if you wanted to write a really fast trill those would be bad spots.
– MattPutnam
Jul 7 at 18:16
2
Trombones will also struggle with fast chromatic runs and trills...
– Max
Jul 8 at 1:14
@MattPutnam, you are absolutely right. I could not find any good alternative fingerings for D#->E and G#->A (and they are also problematic, because G, G#, D and D# are often stuffy/squeaky). The low end switches you list are probably some of the most painful indeed. Even professional musicians with decades of experience struggle with those. Thank you for clarifying your answer.
– Pyromonk
Jul 8 at 1:56
@Pyromonk Feel free to edit any information into the Community Wiki answer.
– Your Uncle Bob
Jul 8 at 2:18
|
show 6 more comments
What about saxophones? Modern professional instruments are more than capable of half-step and whole-step trills (there are even additional F# keys for those who are lazy/incompetent). Unless you mean high register or altissimo, of course. There are plenty of resources out there for alternative fingerings as well. I've personally had no trouble with any trills on tenor or alto.
– Pyromonk
Jul 7 at 14:59
1
Right, like I said they're all possible. But some are pretty awkward. Aside from the low ones (Bb-B, B-C#, C#-D#), I think that D#-E and G#-A are bad. You either have to trill two fingers, or leave the pinky down and trill the ring finger. Not impossible by any means, but if you wanted to write a really fast trill those would be bad spots.
– MattPutnam
Jul 7 at 18:16
2
Trombones will also struggle with fast chromatic runs and trills...
– Max
Jul 8 at 1:14
@MattPutnam, you are absolutely right. I could not find any good alternative fingerings for D#->E and G#->A (and they are also problematic, because G, G#, D and D# are often stuffy/squeaky). The low end switches you list are probably some of the most painful indeed. Even professional musicians with decades of experience struggle with those. Thank you for clarifying your answer.
– Pyromonk
Jul 8 at 1:56
@Pyromonk Feel free to edit any information into the Community Wiki answer.
– Your Uncle Bob
Jul 8 at 2:18
What about saxophones? Modern professional instruments are more than capable of half-step and whole-step trills (there are even additional F# keys for those who are lazy/incompetent). Unless you mean high register or altissimo, of course. There are plenty of resources out there for alternative fingerings as well. I've personally had no trouble with any trills on tenor or alto.
– Pyromonk
Jul 7 at 14:59
What about saxophones? Modern professional instruments are more than capable of half-step and whole-step trills (there are even additional F# keys for those who are lazy/incompetent). Unless you mean high register or altissimo, of course. There are plenty of resources out there for alternative fingerings as well. I've personally had no trouble with any trills on tenor or alto.
– Pyromonk
Jul 7 at 14:59
1
1
Right, like I said they're all possible. But some are pretty awkward. Aside from the low ones (Bb-B, B-C#, C#-D#), I think that D#-E and G#-A are bad. You either have to trill two fingers, or leave the pinky down and trill the ring finger. Not impossible by any means, but if you wanted to write a really fast trill those would be bad spots.
– MattPutnam
Jul 7 at 18:16
Right, like I said they're all possible. But some are pretty awkward. Aside from the low ones (Bb-B, B-C#, C#-D#), I think that D#-E and G#-A are bad. You either have to trill two fingers, or leave the pinky down and trill the ring finger. Not impossible by any means, but if you wanted to write a really fast trill those would be bad spots.
– MattPutnam
Jul 7 at 18:16
2
2
Trombones will also struggle with fast chromatic runs and trills...
– Max
Jul 8 at 1:14
Trombones will also struggle with fast chromatic runs and trills...
– Max
Jul 8 at 1:14
@MattPutnam, you are absolutely right. I could not find any good alternative fingerings for D#->E and G#->A (and they are also problematic, because G, G#, D and D# are often stuffy/squeaky). The low end switches you list are probably some of the most painful indeed. Even professional musicians with decades of experience struggle with those. Thank you for clarifying your answer.
– Pyromonk
Jul 8 at 1:56
@MattPutnam, you are absolutely right. I could not find any good alternative fingerings for D#->E and G#->A (and they are also problematic, because G, G#, D and D# are often stuffy/squeaky). The low end switches you list are probably some of the most painful indeed. Even professional musicians with decades of experience struggle with those. Thank you for clarifying your answer.
– Pyromonk
Jul 8 at 1:56
@Pyromonk Feel free to edit any information into the Community Wiki answer.
– Your Uncle Bob
Jul 8 at 2:18
@Pyromonk Feel free to edit any information into the Community Wiki answer.
– Your Uncle Bob
Jul 8 at 2:18
|
show 6 more comments
Instruments capable of chromatic runs over their whole range at high speed[1]:
Keyboard:- Piano
- Harpsichord
- Organ
- Accordion
- Ondes Martenot (also full-range glissando)
- Synthesizer
- Celesta
Strings:- Violin
- Viola
- Cello
- Double Bass
- Guitar
- Mandolin
- Banjo
- Hurdy-Gurdy
Brass:- Horn (modern valved)
- Trumpet
- Trombone
- Tuba
Woodwinds:- Flute
- Oboe
- Clarinet
- Bassoon
- Saxophone
Percussion:- Vibraphone
- Marimba
- Glockenspiel
- Tubular Bells
- Crotales
- Steel Pan
Others:- Chromatic Harmonica
- Theremin (also full-range glissando)
Instruments with limited capability for chromatic runs[2]:
Keyboard:- ?
Strings:- Harp (retunable to different keys using pedals)
Brass:
Woodwinds:
- Recorder
Percussion:- Timpani (retunable using pedals, would be slow and cause glissando)
- Crystal wine glasses (in quantity, slowly)
- Handbells (in quantity)
- Rototoms (in quantity)
- Tuned gongs (in quantity)
- Whirlies (in quantity, slowly)
Instruments not capable of chromatic runs:
Keyboard:- ?
Strings:- ?
Brass:- ?
Woodwinds:- Bagpipes (not chromatic)
- Tin Whistle, Low Whistle, Diatonic Flute (not chromatic)
Percussion:- Bell Tree, Chime Tree (pitched, but untuned)
- Flexatone (unreasonable to tune)
1 Playing several notes per second and not having to do anything (like retune) that you would normally only do while you're not playing and that would slow you down or force you to leave a pause between some notes.
2 Capable of playing a chromatic run only at slow speed, with pauses, or in part of its range.
(Please feel free to edit this answer to add instruments or details.)
1
How fast does a run have to be to qualify as 'limited' or high-speed'?
– PiedPiper
Jul 8 at 8:17
2
Is this supposed to be limited to instruments normally used in a orchestra? Otherwise it's going to be a very long list. Bagpipes/tin whistles are not orchestral instruments (even if there might be a piece somewhere that does uses them)
– PiedPiper
Jul 8 at 8:28
@PiedPiper I guess it's up to Andy, but he talks of film scoring, so it's not limited to standard orchestral.
– Your Uncle Bob
Jul 8 at 10:32
Fast chromatic run on a theremin? Ok, sure it's physically possible, but it would be ridiculously difficult to do with actual individual, correctly intonated pitches. I would put that in the same category as timpani (though it's probably easier to get it fast, but only in the way it's easier to play fast on violin than on double bass). OTOH, I wouldn't be surprised to hear a fast chromatic run from a tin whistle – good players can half-hole tones quite accurately.
– leftaroundabout
Jul 8 at 10:38
2
Ok, looks like it's totally possible to play a "fast" full chromatic scale on the saxophone, from the low end up into altissimo. My teacher demonstrated it today. It is extremely difficult and requires a lot of practising, but it's possible nevertheless.
– Pyromonk
Jul 11 at 7:15
|
show 9 more comments
Instruments capable of chromatic runs over their whole range at high speed[1]:
Keyboard:- Piano
- Harpsichord
- Organ
- Accordion
- Ondes Martenot (also full-range glissando)
- Synthesizer
- Celesta
Strings:- Violin
- Viola
- Cello
- Double Bass
- Guitar
- Mandolin
- Banjo
- Hurdy-Gurdy
Brass:- Horn (modern valved)
- Trumpet
- Trombone
- Tuba
Woodwinds:- Flute
- Oboe
- Clarinet
- Bassoon
- Saxophone
Percussion:- Vibraphone
- Marimba
- Glockenspiel
- Tubular Bells
- Crotales
- Steel Pan
Others:- Chromatic Harmonica
- Theremin (also full-range glissando)
Instruments with limited capability for chromatic runs[2]:
Keyboard:- ?
Strings:- Harp (retunable to different keys using pedals)
Brass:
Woodwinds:
- Recorder
Percussion:- Timpani (retunable using pedals, would be slow and cause glissando)
- Crystal wine glasses (in quantity, slowly)
- Handbells (in quantity)
- Rototoms (in quantity)
- Tuned gongs (in quantity)
- Whirlies (in quantity, slowly)
Instruments not capable of chromatic runs:
Keyboard:- ?
Strings:- ?
Brass:- ?
Woodwinds:- Bagpipes (not chromatic)
- Tin Whistle, Low Whistle, Diatonic Flute (not chromatic)
Percussion:- Bell Tree, Chime Tree (pitched, but untuned)
- Flexatone (unreasonable to tune)
1 Playing several notes per second and not having to do anything (like retune) that you would normally only do while you're not playing and that would slow you down or force you to leave a pause between some notes.
2 Capable of playing a chromatic run only at slow speed, with pauses, or in part of its range.
(Please feel free to edit this answer to add instruments or details.)
1
How fast does a run have to be to qualify as 'limited' or high-speed'?
– PiedPiper
Jul 8 at 8:17
2
Is this supposed to be limited to instruments normally used in a orchestra? Otherwise it's going to be a very long list. Bagpipes/tin whistles are not orchestral instruments (even if there might be a piece somewhere that does uses them)
– PiedPiper
Jul 8 at 8:28
@PiedPiper I guess it's up to Andy, but he talks of film scoring, so it's not limited to standard orchestral.
– Your Uncle Bob
Jul 8 at 10:32
Fast chromatic run on a theremin? Ok, sure it's physically possible, but it would be ridiculously difficult to do with actual individual, correctly intonated pitches. I would put that in the same category as timpani (though it's probably easier to get it fast, but only in the way it's easier to play fast on violin than on double bass). OTOH, I wouldn't be surprised to hear a fast chromatic run from a tin whistle – good players can half-hole tones quite accurately.
– leftaroundabout
Jul 8 at 10:38
2
Ok, looks like it's totally possible to play a "fast" full chromatic scale on the saxophone, from the low end up into altissimo. My teacher demonstrated it today. It is extremely difficult and requires a lot of practising, but it's possible nevertheless.
– Pyromonk
Jul 11 at 7:15
|
show 9 more comments
Instruments capable of chromatic runs over their whole range at high speed[1]:
Keyboard:- Piano
- Harpsichord
- Organ
- Accordion
- Ondes Martenot (also full-range glissando)
- Synthesizer
- Celesta
Strings:- Violin
- Viola
- Cello
- Double Bass
- Guitar
- Mandolin
- Banjo
- Hurdy-Gurdy
Brass:- Horn (modern valved)
- Trumpet
- Trombone
- Tuba
Woodwinds:- Flute
- Oboe
- Clarinet
- Bassoon
- Saxophone
Percussion:- Vibraphone
- Marimba
- Glockenspiel
- Tubular Bells
- Crotales
- Steel Pan
Others:- Chromatic Harmonica
- Theremin (also full-range glissando)
Instruments with limited capability for chromatic runs[2]:
Keyboard:- ?
Strings:- Harp (retunable to different keys using pedals)
Brass:
Woodwinds:
- Recorder
Percussion:- Timpani (retunable using pedals, would be slow and cause glissando)
- Crystal wine glasses (in quantity, slowly)
- Handbells (in quantity)
- Rototoms (in quantity)
- Tuned gongs (in quantity)
- Whirlies (in quantity, slowly)
Instruments not capable of chromatic runs:
Keyboard:- ?
Strings:- ?
Brass:- ?
Woodwinds:- Bagpipes (not chromatic)
- Tin Whistle, Low Whistle, Diatonic Flute (not chromatic)
Percussion:- Bell Tree, Chime Tree (pitched, but untuned)
- Flexatone (unreasonable to tune)
1 Playing several notes per second and not having to do anything (like retune) that you would normally only do while you're not playing and that would slow you down or force you to leave a pause between some notes.
2 Capable of playing a chromatic run only at slow speed, with pauses, or in part of its range.
(Please feel free to edit this answer to add instruments or details.)
Instruments capable of chromatic runs over their whole range at high speed[1]:
Keyboard:- Piano
- Harpsichord
- Organ
- Accordion
- Ondes Martenot (also full-range glissando)
- Synthesizer
- Celesta
Strings:- Violin
- Viola
- Cello
- Double Bass
- Guitar
- Mandolin
- Banjo
- Hurdy-Gurdy
Brass:- Horn (modern valved)
- Trumpet
- Trombone
- Tuba
Woodwinds:- Flute
- Oboe
- Clarinet
- Bassoon
- Saxophone
Percussion:- Vibraphone
- Marimba
- Glockenspiel
- Tubular Bells
- Crotales
- Steel Pan
Others:- Chromatic Harmonica
- Theremin (also full-range glissando)
Instruments with limited capability for chromatic runs[2]:
Keyboard:- ?
Strings:- Harp (retunable to different keys using pedals)
Brass:
Woodwinds:
- Recorder
Percussion:- Timpani (retunable using pedals, would be slow and cause glissando)
- Crystal wine glasses (in quantity, slowly)
- Handbells (in quantity)
- Rototoms (in quantity)
- Tuned gongs (in quantity)
- Whirlies (in quantity, slowly)
Instruments not capable of chromatic runs:
Keyboard:- ?
Strings:- ?
Brass:- ?
Woodwinds:- Bagpipes (not chromatic)
- Tin Whistle, Low Whistle, Diatonic Flute (not chromatic)
Percussion:- Bell Tree, Chime Tree (pitched, but untuned)
- Flexatone (unreasonable to tune)
1 Playing several notes per second and not having to do anything (like retune) that you would normally only do while you're not playing and that would slow you down or force you to leave a pause between some notes.
2 Capable of playing a chromatic run only at slow speed, with pauses, or in part of its range.
(Please feel free to edit this answer to add instruments or details.)
edited Jul 9 at 17:36
community wiki
10 revs, 7 users 70%
Your Uncle Bob
1
How fast does a run have to be to qualify as 'limited' or high-speed'?
– PiedPiper
Jul 8 at 8:17
2
Is this supposed to be limited to instruments normally used in a orchestra? Otherwise it's going to be a very long list. Bagpipes/tin whistles are not orchestral instruments (even if there might be a piece somewhere that does uses them)
– PiedPiper
Jul 8 at 8:28
@PiedPiper I guess it's up to Andy, but he talks of film scoring, so it's not limited to standard orchestral.
– Your Uncle Bob
Jul 8 at 10:32
Fast chromatic run on a theremin? Ok, sure it's physically possible, but it would be ridiculously difficult to do with actual individual, correctly intonated pitches. I would put that in the same category as timpani (though it's probably easier to get it fast, but only in the way it's easier to play fast on violin than on double bass). OTOH, I wouldn't be surprised to hear a fast chromatic run from a tin whistle – good players can half-hole tones quite accurately.
– leftaroundabout
Jul 8 at 10:38
2
Ok, looks like it's totally possible to play a "fast" full chromatic scale on the saxophone, from the low end up into altissimo. My teacher demonstrated it today. It is extremely difficult and requires a lot of practising, but it's possible nevertheless.
– Pyromonk
Jul 11 at 7:15
|
show 9 more comments
1
How fast does a run have to be to qualify as 'limited' or high-speed'?
– PiedPiper
Jul 8 at 8:17
2
Is this supposed to be limited to instruments normally used in a orchestra? Otherwise it's going to be a very long list. Bagpipes/tin whistles are not orchestral instruments (even if there might be a piece somewhere that does uses them)
– PiedPiper
Jul 8 at 8:28
@PiedPiper I guess it's up to Andy, but he talks of film scoring, so it's not limited to standard orchestral.
– Your Uncle Bob
Jul 8 at 10:32
Fast chromatic run on a theremin? Ok, sure it's physically possible, but it would be ridiculously difficult to do with actual individual, correctly intonated pitches. I would put that in the same category as timpani (though it's probably easier to get it fast, but only in the way it's easier to play fast on violin than on double bass). OTOH, I wouldn't be surprised to hear a fast chromatic run from a tin whistle – good players can half-hole tones quite accurately.
– leftaroundabout
Jul 8 at 10:38
2
Ok, looks like it's totally possible to play a "fast" full chromatic scale on the saxophone, from the low end up into altissimo. My teacher demonstrated it today. It is extremely difficult and requires a lot of practising, but it's possible nevertheless.
– Pyromonk
Jul 11 at 7:15
1
1
How fast does a run have to be to qualify as 'limited' or high-speed'?
– PiedPiper
Jul 8 at 8:17
How fast does a run have to be to qualify as 'limited' or high-speed'?
– PiedPiper
Jul 8 at 8:17
2
2
Is this supposed to be limited to instruments normally used in a orchestra? Otherwise it's going to be a very long list. Bagpipes/tin whistles are not orchestral instruments (even if there might be a piece somewhere that does uses them)
– PiedPiper
Jul 8 at 8:28
Is this supposed to be limited to instruments normally used in a orchestra? Otherwise it's going to be a very long list. Bagpipes/tin whistles are not orchestral instruments (even if there might be a piece somewhere that does uses them)
– PiedPiper
Jul 8 at 8:28
@PiedPiper I guess it's up to Andy, but he talks of film scoring, so it's not limited to standard orchestral.
– Your Uncle Bob
Jul 8 at 10:32
@PiedPiper I guess it's up to Andy, but he talks of film scoring, so it's not limited to standard orchestral.
– Your Uncle Bob
Jul 8 at 10:32
Fast chromatic run on a theremin? Ok, sure it's physically possible, but it would be ridiculously difficult to do with actual individual, correctly intonated pitches. I would put that in the same category as timpani (though it's probably easier to get it fast, but only in the way it's easier to play fast on violin than on double bass). OTOH, I wouldn't be surprised to hear a fast chromatic run from a tin whistle – good players can half-hole tones quite accurately.
– leftaroundabout
Jul 8 at 10:38
Fast chromatic run on a theremin? Ok, sure it's physically possible, but it would be ridiculously difficult to do with actual individual, correctly intonated pitches. I would put that in the same category as timpani (though it's probably easier to get it fast, but only in the way it's easier to play fast on violin than on double bass). OTOH, I wouldn't be surprised to hear a fast chromatic run from a tin whistle – good players can half-hole tones quite accurately.
– leftaroundabout
Jul 8 at 10:38
2
2
Ok, looks like it's totally possible to play a "fast" full chromatic scale on the saxophone, from the low end up into altissimo. My teacher demonstrated it today. It is extremely difficult and requires a lot of practising, but it's possible nevertheless.
– Pyromonk
Jul 11 at 7:15
Ok, looks like it's totally possible to play a "fast" full chromatic scale on the saxophone, from the low end up into altissimo. My teacher demonstrated it today. It is extremely difficult and requires a lot of practising, but it's possible nevertheless.
– Pyromonk
Jul 11 at 7:15
|
show 9 more comments
There are some compositions that require the Orchestra to use Natural Horns or early versions of the instrument. I suspect that most modern orchestras will have the modern horn players fill the parts, but you wouldn't be able to do a chromatic run on the original instruments. For example the bugle and or the hunting horn are sometimes used, and I believe Bach wrote parts for the Shepard's Horn in one piece.
To be exact, you'd have to be several octaves above fundamental before all 12 tones are available.
– Carl Witthoft
Jul 8 at 15:21
Valved brass instruments did not exist in Bach's day, so all of his trumpet and horn parts were written for instruments that had limited ability to play chromatic notes.
– phoog
Jul 9 at 15:50
The solution with natural horns is to use several in different tunings. The players would alternate playing the tones. It would probably take three or more players to do a full chromatic scale. Each instrument in isolation could not do it, but the section would.
– ghellquist
Jul 9 at 16:46
@ghellquist while this may have been done in some cases, it was not a common technique throughout the history of the orchestral horn, and it would not have been common for there to be more than two different sizes of horn in use in any passage of an orchestral work. Anyway, by the time chromaticism was really serious, horns had valves and a single instrument could play chromatic passages.
– phoog
Jul 9 at 17:51
@phoog not much to add. I guess it has never been done, and I expect it will never be in the future, but in theory it could.
– ghellquist
yesterday
|
show 3 more comments
There are some compositions that require the Orchestra to use Natural Horns or early versions of the instrument. I suspect that most modern orchestras will have the modern horn players fill the parts, but you wouldn't be able to do a chromatic run on the original instruments. For example the bugle and or the hunting horn are sometimes used, and I believe Bach wrote parts for the Shepard's Horn in one piece.
To be exact, you'd have to be several octaves above fundamental before all 12 tones are available.
– Carl Witthoft
Jul 8 at 15:21
Valved brass instruments did not exist in Bach's day, so all of his trumpet and horn parts were written for instruments that had limited ability to play chromatic notes.
– phoog
Jul 9 at 15:50
The solution with natural horns is to use several in different tunings. The players would alternate playing the tones. It would probably take three or more players to do a full chromatic scale. Each instrument in isolation could not do it, but the section would.
– ghellquist
Jul 9 at 16:46
@ghellquist while this may have been done in some cases, it was not a common technique throughout the history of the orchestral horn, and it would not have been common for there to be more than two different sizes of horn in use in any passage of an orchestral work. Anyway, by the time chromaticism was really serious, horns had valves and a single instrument could play chromatic passages.
– phoog
Jul 9 at 17:51
@phoog not much to add. I guess it has never been done, and I expect it will never be in the future, but in theory it could.
– ghellquist
yesterday
|
show 3 more comments
There are some compositions that require the Orchestra to use Natural Horns or early versions of the instrument. I suspect that most modern orchestras will have the modern horn players fill the parts, but you wouldn't be able to do a chromatic run on the original instruments. For example the bugle and or the hunting horn are sometimes used, and I believe Bach wrote parts for the Shepard's Horn in one piece.
There are some compositions that require the Orchestra to use Natural Horns or early versions of the instrument. I suspect that most modern orchestras will have the modern horn players fill the parts, but you wouldn't be able to do a chromatic run on the original instruments. For example the bugle and or the hunting horn are sometimes used, and I believe Bach wrote parts for the Shepard's Horn in one piece.
answered Jul 7 at 17:50
Alphonso BalvenieAlphonso Balvenie
4,9868 silver badges18 bronze badges
4,9868 silver badges18 bronze badges
To be exact, you'd have to be several octaves above fundamental before all 12 tones are available.
– Carl Witthoft
Jul 8 at 15:21
Valved brass instruments did not exist in Bach's day, so all of his trumpet and horn parts were written for instruments that had limited ability to play chromatic notes.
– phoog
Jul 9 at 15:50
The solution with natural horns is to use several in different tunings. The players would alternate playing the tones. It would probably take three or more players to do a full chromatic scale. Each instrument in isolation could not do it, but the section would.
– ghellquist
Jul 9 at 16:46
@ghellquist while this may have been done in some cases, it was not a common technique throughout the history of the orchestral horn, and it would not have been common for there to be more than two different sizes of horn in use in any passage of an orchestral work. Anyway, by the time chromaticism was really serious, horns had valves and a single instrument could play chromatic passages.
– phoog
Jul 9 at 17:51
@phoog not much to add. I guess it has never been done, and I expect it will never be in the future, but in theory it could.
– ghellquist
yesterday
|
show 3 more comments
To be exact, you'd have to be several octaves above fundamental before all 12 tones are available.
– Carl Witthoft
Jul 8 at 15:21
Valved brass instruments did not exist in Bach's day, so all of his trumpet and horn parts were written for instruments that had limited ability to play chromatic notes.
– phoog
Jul 9 at 15:50
The solution with natural horns is to use several in different tunings. The players would alternate playing the tones. It would probably take three or more players to do a full chromatic scale. Each instrument in isolation could not do it, but the section would.
– ghellquist
Jul 9 at 16:46
@ghellquist while this may have been done in some cases, it was not a common technique throughout the history of the orchestral horn, and it would not have been common for there to be more than two different sizes of horn in use in any passage of an orchestral work. Anyway, by the time chromaticism was really serious, horns had valves and a single instrument could play chromatic passages.
– phoog
Jul 9 at 17:51
@phoog not much to add. I guess it has never been done, and I expect it will never be in the future, but in theory it could.
– ghellquist
yesterday
To be exact, you'd have to be several octaves above fundamental before all 12 tones are available.
– Carl Witthoft
Jul 8 at 15:21
To be exact, you'd have to be several octaves above fundamental before all 12 tones are available.
– Carl Witthoft
Jul 8 at 15:21
Valved brass instruments did not exist in Bach's day, so all of his trumpet and horn parts were written for instruments that had limited ability to play chromatic notes.
– phoog
Jul 9 at 15:50
Valved brass instruments did not exist in Bach's day, so all of his trumpet and horn parts were written for instruments that had limited ability to play chromatic notes.
– phoog
Jul 9 at 15:50
The solution with natural horns is to use several in different tunings. The players would alternate playing the tones. It would probably take three or more players to do a full chromatic scale. Each instrument in isolation could not do it, but the section would.
– ghellquist
Jul 9 at 16:46
The solution with natural horns is to use several in different tunings. The players would alternate playing the tones. It would probably take three or more players to do a full chromatic scale. Each instrument in isolation could not do it, but the section would.
– ghellquist
Jul 9 at 16:46
@ghellquist while this may have been done in some cases, it was not a common technique throughout the history of the orchestral horn, and it would not have been common for there to be more than two different sizes of horn in use in any passage of an orchestral work. Anyway, by the time chromaticism was really serious, horns had valves and a single instrument could play chromatic passages.
– phoog
Jul 9 at 17:51
@ghellquist while this may have been done in some cases, it was not a common technique throughout the history of the orchestral horn, and it would not have been common for there to be more than two different sizes of horn in use in any passage of an orchestral work. Anyway, by the time chromaticism was really serious, horns had valves and a single instrument could play chromatic passages.
– phoog
Jul 9 at 17:51
@phoog not much to add. I guess it has never been done, and I expect it will never be in the future, but in theory it could.
– ghellquist
yesterday
@phoog not much to add. I guess it has never been done, and I expect it will never be in the future, but in theory it could.
– ghellquist
yesterday
|
show 3 more comments
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What kind of orchestra are we talking about? Does a big band constitute an orchestra? Some percussive instruments won't be able to play a full chromatic scale, like kettle drums, as you have already noted.
– Pyromonk
Jul 7 at 13:15
3
All the untuned percussion?
– Tim
Jul 7 at 13:40
@Pyromonk I have more like a film scoring orchestra setting in mind.
– Andy
Jul 7 at 14:18
@Tim Yea... Of course I meant from all the pitched instruments only.
– Andy
Jul 7 at 14:18
3
@Andy, wow, that expands the list of instruments exponentially as we speak. I cannot think of an instrument that hasn't been used in film scores, including customised ones. It makes your question really difficult to answer.
– Pyromonk
Jul 7 at 14:32