What are the different qualities of the intervals? [closed]What are the notes in a 11th chord?What is a chord consisting of Root, 9th and 11th called?Why Cminmaj7 is used and the purpose of minor and major are together?Best name for a chord consisting of D - E - F?Making part of a triad chord sharper, but is it counted as minor?Does the existence of a chord tone (and its enharmonic spellings) imply the absence of another?Chord construction using the minor scaleWhat's the logic behind chords building patterns that are in key?Term for improvisation (or Melody) based on specific intervals, not notes?Are extended chords assumed to have each extended interval below it and a 7th?
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What are the different qualities of the intervals? [closed]
What are the notes in a 11th chord?What is a chord consisting of Root, 9th and 11th called?Why Cminmaj7 is used and the purpose of minor and major are together?Best name for a chord consisting of D - E - F?Making part of a triad chord sharper, but is it counted as minor?Does the existence of a chord tone (and its enharmonic spellings) imply the absence of another?Chord construction using the minor scaleWhat's the logic behind chords building patterns that are in key?Term for improvisation (or Melody) based on specific intervals, not notes?Are extended chords assumed to have each extended interval below it and a 7th?
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I know that a 3rd decides the emotional quality of a chord, but what about the 5th? What does the 7th do? The 2nd, 6th, and 9th?
chords chord-theory chord-progressions intervals
asked Jul 28 at 2:53
コナーゲティコナーゲティ
4442 silver badges12 bronze badges
closed as primarily opinion-based by David Bowling, Richard, Tim, Doktor Mayhem♦ Jul 29 at 11:23
Many good questions generate some degree of opinion based on expert experience, but answers to this question will tend to be almost entirely based on opinions, rather than facts, references, or specific expertise. If this question can be reworded to fit the rules in the help center, please edit the question.
add a comment |
I know that a 3rd decides the emotional quality of a chord, but what about the 5th? What does the 7th do? The 2nd, 6th, and 9th?
chords chord-theory chord-progressions intervals
asked Jul 28 at 2:53
コナーゲティコナーゲティ
4442 silver badges12 bronze badges
closed as primarily opinion-based by David Bowling, Richard, Tim, Doktor Mayhem♦ Jul 29 at 11:23
Many good questions generate some degree of opinion based on expert experience, but answers to this question will tend to be almost entirely based on opinions, rather than facts, references, or specific expertise. If this question can be reworded to fit the rules in the help center, please edit the question.
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Jul 29 at 11:26
add a comment |
I know that a 3rd decides the emotional quality of a chord, but what about the 5th? What does the 7th do? The 2nd, 6th, and 9th?
chords chord-theory chord-progressions intervals
asked Jul 28 at 2:53
コナーゲティコナーゲティ
4442 silver badges12 bronze badges
I know that a 3rd decides the emotional quality of a chord, but what about the 5th? What does the 7th do? The 2nd, 6th, and 9th?
chords chord-theory chord-progressions intervals
chords chord-theory chord-progressions intervals
asked Jul 28 at 2:53
コナーゲティコナーゲティ
4442 silver badges12 bronze badges
asked Jul 28 at 2:53
コナーゲティコナーゲティ
4442 silver badges12 bronze badges
asked Jul 28 at 2:53
コナーゲティコナーゲティ
4442 silver badges12 bronze badges
asked Jul 28 at 2:53
コナーゲティコナーゲティ
4442 silver badges12 bronze badges
asked Jul 28 at 2:53
コナーゲティコナーゲティ
4442 silver badges12 bronze badges
4442 silver badges12 bronze badges
closed as primarily opinion-based by David Bowling, Richard, Tim, Doktor Mayhem♦ Jul 29 at 11:23
Many good questions generate some degree of opinion based on expert experience, but answers to this question will tend to be almost entirely based on opinions, rather than facts, references, or specific expertise. If this question can be reworded to fit the rules in the help center, please edit the question.
closed as primarily opinion-based by David Bowling, Richard, Tim, Doktor Mayhem♦ Jul 29 at 11:23
Many good questions generate some degree of opinion based on expert experience, but answers to this question will tend to be almost entirely based on opinions, rather than facts, references, or specific expertise. If this question can be reworded to fit the rules in the help center, please edit the question.
closed as primarily opinion-based by David Bowling, Richard, Tim, Doktor Mayhem♦ Jul 29 at 11:23
Many good questions generate some degree of opinion based on expert experience, but answers to this question will tend to be almost entirely based on opinions, rather than facts, references, or specific expertise. If this question can be reworded to fit the rules in the help center, please edit the question.
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Jul 29 at 11:26
add a comment |
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Jul 29 at 11:26
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Jul 29 at 11:26
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Jul 29 at 11:26
add a comment |
1 Answer
1
active
oldest
votes
You can ask the Greek or look up the theories of Boethius, Glarean, Caspar Printz, Ernst Kurth etc ... The answers will be more traditional than opinion based. But did you look up wikipedia under characteristics / qualities of intervals? I did and couldn’t find much information.
The key words are psycological effects of harmonical intervals
The idea that the various musical intervals have widely disparate psychological effects has a long history in the literature of aesthetics, music theory and composition but not in experimental psychology
http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.577.9997&rep=rep1&type=pdf
I used to present to my classes test sheets with a bi-polarity profile like below to get an statistical intersubjective information like they did here:
But I‘m doubting that these effects and impressions are intercultural representatives and objectives!
answered Jul 28 at 5:50
Albrecht HügliAlbrecht Hügli
6,7731 gold badge7 silver badges26 bronze badges
Thank you, this is exactly what I was looking for! It's weird that in the 2nd photo, they include both the aug. 4 and dim. 5.
– コナーゲティ
Jul 28 at 6:32
Even in the second and third examples, the terms used are subjective - meaning different things to different people. Whilst the charts seem to have been produced in good faith, your closing comment has more than a ring of truth about it.
– Tim
Jul 28 at 6:47
Is the Willems table supposed to apply to chords? minor triad: heavy emptiness, diminished triad: shadow instability. That doesn't make much sense. Surely the emotion of music is more about the temporal aspects - the changing events - than the vertical stack of intervals.
– Michael Curtis
Jul 29 at 14:57
add a comment |
1 Answer
1
active
oldest
votes
1 Answer
1
active
oldest
votes
active
oldest
votes
active
oldest
votes
You can ask the Greek or look up the theories of Boethius, Glarean, Caspar Printz, Ernst Kurth etc ... The answers will be more traditional than opinion based. But did you look up wikipedia under characteristics / qualities of intervals? I did and couldn’t find much information.
The key words are psycological effects of harmonical intervals
The idea that the various musical intervals have widely disparate psychological effects has a long history in the literature of aesthetics, music theory and composition but not in experimental psychology
http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.577.9997&rep=rep1&type=pdf
I used to present to my classes test sheets with a bi-polarity profile like below to get an statistical intersubjective information like they did here:
But I‘m doubting that these effects and impressions are intercultural representatives and objectives!
answered Jul 28 at 5:50
Albrecht HügliAlbrecht Hügli
6,7731 gold badge7 silver badges26 bronze badges
Thank you, this is exactly what I was looking for! It's weird that in the 2nd photo, they include both the aug. 4 and dim. 5.
– コナーゲティ
Jul 28 at 6:32
Even in the second and third examples, the terms used are subjective - meaning different things to different people. Whilst the charts seem to have been produced in good faith, your closing comment has more than a ring of truth about it.
– Tim
Jul 28 at 6:47
Is the Willems table supposed to apply to chords? minor triad: heavy emptiness, diminished triad: shadow instability. That doesn't make much sense. Surely the emotion of music is more about the temporal aspects - the changing events - than the vertical stack of intervals.
– Michael Curtis
Jul 29 at 14:57
add a comment |
You can ask the Greek or look up the theories of Boethius, Glarean, Caspar Printz, Ernst Kurth etc ... The answers will be more traditional than opinion based. But did you look up wikipedia under characteristics / qualities of intervals? I did and couldn’t find much information.
The key words are psycological effects of harmonical intervals
The idea that the various musical intervals have widely disparate psychological effects has a long history in the literature of aesthetics, music theory and composition but not in experimental psychology
http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.577.9997&rep=rep1&type=pdf
I used to present to my classes test sheets with a bi-polarity profile like below to get an statistical intersubjective information like they did here:
But I‘m doubting that these effects and impressions are intercultural representatives and objectives!
answered Jul 28 at 5:50
Albrecht HügliAlbrecht Hügli
6,7731 gold badge7 silver badges26 bronze badges
Thank you, this is exactly what I was looking for! It's weird that in the 2nd photo, they include both the aug. 4 and dim. 5.
– コナーゲティ
Jul 28 at 6:32
Even in the second and third examples, the terms used are subjective - meaning different things to different people. Whilst the charts seem to have been produced in good faith, your closing comment has more than a ring of truth about it.
– Tim
Jul 28 at 6:47
Is the Willems table supposed to apply to chords? minor triad: heavy emptiness, diminished triad: shadow instability. That doesn't make much sense. Surely the emotion of music is more about the temporal aspects - the changing events - than the vertical stack of intervals.
– Michael Curtis
Jul 29 at 14:57
add a comment |
You can ask the Greek or look up the theories of Boethius, Glarean, Caspar Printz, Ernst Kurth etc ... The answers will be more traditional than opinion based. But did you look up wikipedia under characteristics / qualities of intervals? I did and couldn’t find much information.
The key words are psycological effects of harmonical intervals
The idea that the various musical intervals have widely disparate psychological effects has a long history in the literature of aesthetics, music theory and composition but not in experimental psychology
http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.577.9997&rep=rep1&type=pdf
I used to present to my classes test sheets with a bi-polarity profile like below to get an statistical intersubjective information like they did here:
But I‘m doubting that these effects and impressions are intercultural representatives and objectives!
answered Jul 28 at 5:50
Albrecht HügliAlbrecht Hügli
6,7731 gold badge7 silver badges26 bronze badges
You can ask the Greek or look up the theories of Boethius, Glarean, Caspar Printz, Ernst Kurth etc ... The answers will be more traditional than opinion based. But did you look up wikipedia under characteristics / qualities of intervals? I did and couldn’t find much information.
The key words are psycological effects of harmonical intervals
The idea that the various musical intervals have widely disparate psychological effects has a long history in the literature of aesthetics, music theory and composition but not in experimental psychology
http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.577.9997&rep=rep1&type=pdf
I used to present to my classes test sheets with a bi-polarity profile like below to get an statistical intersubjective information like they did here:
But I‘m doubting that these effects and impressions are intercultural representatives and objectives!
answered Jul 28 at 5:50
Albrecht HügliAlbrecht Hügli
6,7731 gold badge7 silver badges26 bronze badges
edited Jul 28 at 20:24
answered Jul 28 at 5:50
Albrecht HügliAlbrecht Hügli
6,7731 gold badge7 silver badges26 bronze badges
answered Jul 28 at 5:50
Albrecht HügliAlbrecht Hügli
6,7731 gold badge7 silver badges26 bronze badges
answered Jul 28 at 5:50
Albrecht HügliAlbrecht Hügli
6,7731 gold badge7 silver badges26 bronze badges
6,7731 gold badge7 silver badges26 bronze badges
Thank you, this is exactly what I was looking for! It's weird that in the 2nd photo, they include both the aug. 4 and dim. 5.
– コナーゲティ
Jul 28 at 6:32
Even in the second and third examples, the terms used are subjective - meaning different things to different people. Whilst the charts seem to have been produced in good faith, your closing comment has more than a ring of truth about it.
– Tim
Jul 28 at 6:47
Is the Willems table supposed to apply to chords? minor triad: heavy emptiness, diminished triad: shadow instability. That doesn't make much sense. Surely the emotion of music is more about the temporal aspects - the changing events - than the vertical stack of intervals.
– Michael Curtis
Jul 29 at 14:57
add a comment |
Thank you, this is exactly what I was looking for! It's weird that in the 2nd photo, they include both the aug. 4 and dim. 5.
– コナーゲティ
Jul 28 at 6:32
Even in the second and third examples, the terms used are subjective - meaning different things to different people. Whilst the charts seem to have been produced in good faith, your closing comment has more than a ring of truth about it.
– Tim
Jul 28 at 6:47
Is the Willems table supposed to apply to chords? minor triad: heavy emptiness, diminished triad: shadow instability. That doesn't make much sense. Surely the emotion of music is more about the temporal aspects - the changing events - than the vertical stack of intervals.
– Michael Curtis
Jul 29 at 14:57
Thank you, this is exactly what I was looking for! It's weird that in the 2nd photo, they include both the aug. 4 and dim. 5.
– コナーゲティ
Jul 28 at 6:32
Thank you, this is exactly what I was looking for! It's weird that in the 2nd photo, they include both the aug. 4 and dim. 5.
– コナーゲティ
Jul 28 at 6:32
Even in the second and third examples, the terms used are subjective - meaning different things to different people. Whilst the charts seem to have been produced in good faith, your closing comment has more than a ring of truth about it.
– Tim
Jul 28 at 6:47
Even in the second and third examples, the terms used are subjective - meaning different things to different people. Whilst the charts seem to have been produced in good faith, your closing comment has more than a ring of truth about it.
– Tim
Jul 28 at 6:47
Is the Willems table supposed to apply to chords? minor triad: heavy emptiness, diminished triad: shadow instability. That doesn't make much sense. Surely the emotion of music is more about the temporal aspects - the changing events - than the vertical stack of intervals.
– Michael Curtis
Jul 29 at 14:57
Is the Willems table supposed to apply to chords? minor triad: heavy emptiness, diminished triad: shadow instability. That doesn't make much sense. Surely the emotion of music is more about the temporal aspects - the changing events - than the vertical stack of intervals.
– Michael Curtis
Jul 29 at 14:57
add a comment |
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Jul 29 at 11:26